This week Mark Wallace shows you how to take a series of photos and stitch them together into a large, seamless panoramic photo. Try this technique in traditional situations like landscapes but also experiment indoors for some unique views!
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In this episode Mark explains the basics of HDR photography.
In this week’s episode Mark answers questions from viewers in this viewer feedback special. Topics include: motion blur and its relation to aperture, shutter speed and exposure, good and bad bokeh, black and white photos, the inverse square law, speedlights and the Lastolite EZYBox, noise in pictures and ISO settings. Click here to the ISO demo pictures.
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In this week’s episode Mark shows you how to properly light a green screen.
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In this week’s episode Mark shows you how to shoot groups of people in a studio using just one light.
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In this episode Mark Wallace shows you how to shoot at night using only the moon and stars as your source of light. Outtakes at the end of the video – Coyotes!
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In this week’s episode Mark answers 12 questions from viewers in this viewer feedback special. Topics include: setting your camera’s picture control, exposure compensation, understanding the lumisphere, wind screens, focus issues, Lightroom tricks, learning from failure and more.
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In this episode Mark will show how some cameras offer the ability to fire the flash at just before the second curtain closes. This is called rear or second curtain sync and it is used to freeze motion at the end of the exposure. When making long exposures while firing a flash rear curtain sync creates the effect of motion blur trailing the main subject.
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In this episode Mark will show us how to get photos with that really shallow depth of field and typically overexposed to really blow out the detail in the background, just like some of the photographers that we feature on “How’d They Do That?”. To see Mark’s results with each of the different cameras, visit the AdoramaTV flickr page here: Nifty 50 shots
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Sometimes when shooting, you want everything sharp from the front to the back of the scene. Setting a small aperture can help but if you really want to maximize depth of field, hyperfocal focusing is the technique you need to use. And in this episode Mark will explain how to calculate the hyperfocal distance.
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